Moabite Lives Matter
Ruth
1:1-17
21st Sunday after Pentecost
October 18, 2015
21st Sunday after Pentecost
October 18, 2015
Rev.
John M. Caldwell, PhD
First United Methodist Church
Decorah, IA
First United Methodist Church
Decorah, IA
Our
story begins in Bethlehem, as a number of stories from the Bible do,
a town whose name translates as "House of Bread."
Ironically the story begins with a famine. Elimelech moved his
family—Naomi his wife and his two sons, Mahlon and Chilion, to
Moab—to escape the famine.
Then
Elimelech died, leaving Naomi in the care of her two sons who both
married local girls.
I
say that as if it were no big deal, but that wasn't so. These young
women, Orpah and Ruth, were Moabites. Israelites and Moabites were
traditional enemies. Do you remember the story from a few weeks ago
in which the daughters of Lot (whose wife had been turned into a
column of salt) decided to seduce their father and bear his children?
Remember that one of the sons of this incest was named Moab, the
ancestor of the Moabites. This is a classic myth in function: it
tells the story of Israel and Moab in such a way as to show just how
much superior to those Moabites the Israelites really were. I'm sure
that Moabites had similar stories about Israel. Marrying these
foreigners can't have been easy for either Ruth or Orpah.
When
Naomi and her daughters-in-law found themselves bereft of husbands
and, since they were childless, deprived of male protection, the only
safe course of action was for Naomi to go back to Bethlehem—after
all she owned land there and had family connections—and for Ruth
and Orpah to go back to their respective families. They were still
young; they could take their dowries back with them; they could still
be useful to their families for making alliances and so forth.
But
Ruth refused to go. Maybe she knew what awaited a Moabite girl who
married an Israelite man and then tried to go home again. Maybe she
did genuinely love Naomi. In any event she sang a song to Naomi that
is such an expression of self-denial, even of self-negation, that
generations of patriarchal advice books have held Ruth up as a
positive example for young women. This bit of poetry shows up
uninvited at weddings even now, although, of course, it is a love
song from a daughter-in-law to her mother-in-law, not a song from a
bride to her groom.
Ruth
seems determined by her example to ruin the lives of young women down
through history. Not only is she devoted to her mother-in-law. She is
the model of the good daughter when they arrive in Bethlehem.
It's
harvest time. There is a law in ancient Israel that whatever falls to
the ground during the harvest may not be picked up by the workers,
but must be left for the poor. It belongs
to them by law. Gleaning, as it is called, is work that is hard on
the back, but Ruth volunteers to go do it.
When
the owner of the field, one Boaz by name, sees Ruth and asks his
servants who she is, they tell him that she is "that Moabite
who came back with Naomi," but that she had been working since
early morning without resting at all.
Devoted
to her mother-in-law, hard-working, available for marriage: what more
could anyone want? And it is clear that Boaz was taken with the young
widow. He provided her with his protection and even instructed the
reapers to be especially careless with the harvest when she was close
so that she would have more to pick up.
Ruth
had a good day. She took home an ephah of barley which is about... I
don't know. But it was a lot. And she told Naomi her story. When
Naomi found out whose field Ruth had been working in, she got really
excited.
Now
here the story becomes rather interesting for the way that it opens a
window onto a couple of features of life in ancient Israel and how
they might have worked in practice. Or maybe not. This book is not
really a history, but a romance written centuries after the events it
describes, after the destruction of Jerusalem and Judah's exile in
Babylon. At least we see how these things worked in Judah's
imagination.
Remember
that property rights in ancient Israel did not mean that owners had
the right to dispose of their land. They couldn't subdivide it or
sell it outright to whomever they pleased. Land was a covenant
inheritance. If a family became so poor that the only asset they had
left was their land, they could lease it until the next Year of
Jubilee. Even so, close family members were required to intervene and
buy it back or "redeem" it. That way, the land stayed in
the family.
What
got Naomi so excited was that Boaz was a close relative, one who had
the "right of redemption." Naomi saw the possibility of
security and well-being for both Ruth and herself. All that was
needed was to give Boaz a little nudge in the right direction.
Now,
as it happened, it was the last day of the harvest and the harvest
party would be that night. There would be eating and drinking (and
doubtless a good deal of gratitude for the harvest and for fertility
in general). Naomi instructed Ruth to note where Boaz was lying and,
waiting until the party died down and all was quiet, to join him on
the threshing floor with a view toward giving him the needed nudge.
She did that.
What
happened next? The story uses suggestive language, but does not say
explicitly what happened underneath Boaz's cloak on the threshing
floor. By the time morning arrived, Ruth and Boaz had reached an
understanding. But the story is discrete as was Boaz who sent Ruth
home in the pre-dawn darkness with a bride price of six "measures"
of barley, which is... I don't know, but Ruth carried it in her
cloak.
Ruth
told Naomi what had happened. Now matters were in Boaz's hands.
There
is, in turns out, another complication. Boaz is not the next of kin;
there is another who would come before Boaz. The next of kin is not
named, but that doesn't matter. Boaz has a plan.
The
next day, there is a meeting of the "elders at the gate."
This was an institution not unlike the "retired guys' table at
Java John's." The main difference was that whereas the retired
guys talk a great deal but don't actually decide anything, the elders
at the gate judged the minor disputes of the village and their
decisions were binding.
So
Boaz brought his case to the elders at the gate. The next-of-kin was
there. Boaz said to him, "As you know, Naomi has this parcel of
land of Elimelech her husband. She'd like to sell it. If you'd like
the land, you have the right to buy it from her." Of course, the
next-of-kin wanted to buy it and said so.
Now
there was another law in ancient Israel that provided that if a
married man died before he had a son to inherit his land, his brother
was required to marry the man's widow. This ensured that there would
be an heir to maintain the inheritance. That law didn't necessarily
go with the redemption of land, but the logic was rather obvious and
Boaz made a point of it.
"Oh,
I almost forgot," Boaz added, springing his trap. "If you
buy the land, Ruth goes with it. You know, the Moabite."
"The
Moabite?"
said the next-of-kin. "Um, never mind. You buy the land."
And so Boaz did that. And took Ruth as his wife (and probably even
let Naomi move in with them). And in due course she bore a son.
To
this point the story has been a romance worthy of Jane Austen of how
an unfortunate young woman—unfortunate in both senses of the word:
unlucky and having no fortune of her own—arrived at a happy ending,
safely married and the mother of a son.
But
what comes next tells us that the writer had another motive than the
desire to tell a happily-ever-after story about a sweet girl. For it
is in this way that Boaz became the father of Obed. Obed in his turn
became the father of Jesse. And—here's the punch line—Jesse
became the father of David.
The
book of Ruth was written in a time when Jews who had returned from
exile in Babylon were trying to figure out who they were. Were Jews
called to be a separate ethnic group, carefully preserving their
purity by religiously avoiding marriages with non-Jews (pun
intended). In the books of Ezra and Nehemiah this view is put
forward.
Or
were Jews a "light to the nations", called by God to live
in such a way as to attract non-Jews to its way of life? III Isaiah,
who penned the phrase "light to the nations," falls into
this column. To "accept" outsiders into the covenant
relationship or not is an unsettled question in the Bible.
The
book of Ruth's contribution to this intra-biblical debate is the news
that David, King
David, the hero-king, was not only one-eighth non-Jewish.
He was one-eighth Moabite,
descended from one of those incest-begotten descendants of greedy
Lot, Abraham's no-good nephew. David was partly Moabite. So,
therefore, were all of David's heirs. So is the Son of David, the
Messiah, to whom nationalist Jews looked for deliverance. So,
incidentally, is Jesus, if we take his davidic descent literally.
So
much for the ethnic purity of the people of the covenant. That's
the point of the book of Ruth as it's found in our Bible.
Now
we Americans can hardly help but read this story as it's found in our
Bible through our own cultural lenses. Racism, which is the
peculiarly American version and perversion of the commonly found fear
of outsiders, colors our reading. White people don't, but probably
should, portray Ruth as an African. David therefore—in the old but
somehow constantly renewing language of Jim Crow—was what used to
be called an "octoroon," one who was one-eighth "negro."
The story would be more faithfully translated into our thought world
if we did that.
And
of course the rule of American racism is that any
African ancestry renders a person—regardless of appearance—no
longer white. Hence Jesus was not
white.
What
would it mean, I wonder, for white folks (like me) to have to
re-imagine Jesus as black, to have to re-imagine the gospel as news
that comes to
them rather than starting with
them, to have to re-imagine strangers as those who bring us
salvation? This is the work that the romance of Ruth invites us to
do.
This
work is licensed under the Creative Commons
Attribution-NonCommercial-NoDerivs 3.0 Unported License. To view a
copy of this license, visit
http://creativecommons.org/licenses/by-nc-nd/3.0/ or send a letter to
Creative Commons, 444 Castro Street, Suite 900, Mountain View,
California, 94041, USA.
No comments:
Post a Comment